Motoring around Manila

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Taxis are for tourists.

For eight pesos (about 20 cents), you can hop onto one of the colorful, if tight, Jeepneys that circuit Manila. They go everywhere, and in some parts of town seem to outnumber every other vehicle.

DSC_0209_edited-1Sometimes they don’t actually stop, just slow down enough for someone to grab a hold of the back. You have to stoop through the small opening above the rear bumper and crouch-shuffle past the other commuters to take a seat on one of the parallel benches along the sides.

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Then you pass along your fistful of coins to the driver, who is simultaneously collecting fare, giving change, shifting gears, honking his horn, negotiating traffic (a challenge all its own in metro Manila) and sometimes yelling into his cell phone too.

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The first Jeepneys were fashioned out of surplus or broken-down Jeeps the American military left behind (thus the name). They’re often jerry-rigged out of whatever parts are available—and not just car parts. Instead of a gas tank, this Jeepney uses a water bottle to feed fuel into the engine.

 

Tibetan self-immolations

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Radio Free Asia’s interactive map of Tibetan self-immolations

One hundred seventeen Tibetans have doused themselves in fuel and set themselves ablaze to protest Chinese authority in general and their intrusions specifically into the Tibetan and Buddhist ways of life.

Yet this has received very little attention in the Western media. Add it to the list, I suppose.

Boonville’s Best Gentlemen’s Club

Four weeks and 6,480 pictures later, here’s my audio slideshow about the Boonville Airport. There are some things I’d still like to change: the stop-action is a bit messy, and there’s not as much visual unity between the pictures as I would like.

But I’m happy with how it turned out, and it was a lot of fun to make.

Finding an angle

Finding an angle

Well, it’s almost over. My airport project is due Wednesday; I think I have all the pictures and audio I need, but we’ll find out when I begin putting it together.

I hope inspiration strikes as I transcribe my interview, because my grasp on my story angle is… loose. I’m running with the “airport as a clubhouse” angle, and the interview I just had with Jim seemed to follow that pretty well. But I suppose it remains to be seen if my interview and photos mesh, and furthermore if they mesh in a way that accommodates my intentions.